Exhibition

Titian: Ecce Homo

View a painting by Titian depicting Christ crowned with thorns after the Flagellation, from a private Cypriot collection. The Cyprus Institute has carried out scientific research on this painting. On view from March 7, 2026 to June 14, 2026 at Château de Chantilly.

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Paris

Quick view

A fast English reading of the key exhibition signals already available in the catalogue.

Venue

Chantilly Castle

Paris

Dates

07 March 2026 to 14 June 2026

Ended

Booking

Available on Tiqets

Overview

The shortest useful way to understand what this exhibition is about.

The Domaine de Chantilly is a haven of peace and tranquillity, not far from Paris. Pack a picnic, bring the family, and spend a whole day visiting the Château de Chantilly and its surroundings, including one of the larg...

Editorial context

A slightly wider English reading when the source page is still concise.

On Expo Paris, Titian: Ecce Homo is most useful when it is read not only as a single event but as part of a broader route through Chantilly Castle, where exhibitions, artists and editorial themes can be compared quickly in English. This page becomes easier to place when it is connected to Science.

For an English reader, the point of this page is also practical: it clarifies the venue, dates and booking context, then opens clear paths toward related exhibitions, artists and subjects so that the visit does not remain isolated. 3 related exhibition pages are already close enough to help compare tone, period or venue.

Why go

The strongest reasons to open the page, compare it, or book it.

Editorial angle

See a painting by Titian representing Christ crowned with thorns after the Flagellation, from a private Cypriot collection.

Identify the iconographic models that structure the composition. Follow the evolution of a commission through the pieces on display. Try the interactive devices to grasp a concept in concrete terms.

Useful links

Visit description

What to look for

See a painting by Titian representing Christ crowned with thorns after the Flagellation, from a private Cypriot collection. Identify the iconographic models that structure the composition. Follow the evolution of a commission through the pieces on display.